180-Degree Rule in cinematography states that two characters in a scene should always have the same left/right relationship to each other.
So if you’re shooting two characters talking to one another, and later take a close-up shot or over-the-shoulder shot, the 2 characters should be in the same left/right relationship to one other.
If the 180 degree line is broken, a person who was earlier on the left side is now all of the sudden on the right. This disrupts the scene and disorients the audience, because he think “wait, when did this happen?”
The 180-Degree Rule is among the first concepts that beginners are taught in cinematography.
Its perfectly fine if you move your camera anywhere along that 180 line, but don’t cross over the line to the other side.
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But is there ever a “never break something” in arts?
Well, you can break every rule if you are trying to do something intentionally with reason. There are plenty of examples of this in cinema.
Directors do it to communicate different things to the audience, such as creating confusion, mystery, and has a strange connection to multiple personalities and identity.
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