Back in the days of Silent Films, you didn’t have access to computers and software to add special effects. And when you cannot depend on a computer to improve (or fake) a movie scene, you gotta improvise.
That’s filmmakers did back in the days of silent films. And they became quite good at coming up with creative ways to add special effects.
Today their techniques definitely comes across as a master class – using specific camera angles, splicing together shots, using glass matte paintings, and twisting perspectives to make things look as realistic as possible.
Silent Movie GIFs is an excellent resource that reveals how things used to be done in the past.
A classic example is that of Harold Lloyd dangling off a clock in Safety Last!, which used perspective to make it look real). Read here to know more about how it was done.
Here’s how Charlie Chaplin roller skated backwards and “almost” fell in a department store in Modern Times
How a background was added to a shot from Modern Times using a glass matte painting shot pic.twitter.com/4EddbfTOh8
— Silent Movie Gifs (@silentmoviegifs) January 6, 2017
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Here’s the finished shot:
The end result in Modern Times (1936), looks like Chaplin is really in danger of going over the edge pic.twitter.com/2qjjzU04WX
— Silent Movie Gifs (@silentmoviegifs) January 6, 2017
Another cool effect is the tricky matte shot from Buster Keaton in Sherlock Jr.:
Buster Keaton seamlessly combines a matte shot and a crazy stunt in Sherlock Jr. (1924) pic.twitter.com/kSA9hMkcQg
— Silent Movie Gifs (@silentmoviegifs) January 7, 2017
And here’s how it was done:
By placing a plate of glass partially painted black in front of the camera, Keaton on the motorcycle was filmed separately from the trucks pic.twitter.com/KHEiamPWES
— Silent Movie Gifs (@silentmoviegifs) January 7, 2017
Casey says
Any idea how did they remove the sound? I understand it can be done now with modern editing equipment. But how did they get the sound out of the movies back then? Can you do that with a phonograph?